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Halloween 3d 2017 film5/29/2023 ![]() However, one might argue that there are ways to look at the underlying message that do not necessarily align with the laws of the horror genre. Here the otherness is metaphorical and portrayed with the help of the director’s ideas and tricks. All that further establishes the killer as something different, which is often present in the monster genre of horror. Doctor claims that Myers’ eyes are “the devil’s”, that he is evil – “purely and simply”, and refers to him as “it” rather than “he” (Knöppler, 2017). One more tool to present the antagonist as someone not quite human is the way his psychiatrist, Dr. That is a smart move in terms of provoking a reaction. Exploring what it is like to make the viewer feel as if they are actually a criminal about to murder might be another subject worth writing an article about. The article Scared Witless (1999) speaks about the physiology of fear and the way our body reacts to being scared. Nevertheless, that might have been exactly what the director was going for: the spectator, walking in the killer’s shoes in low key lighting, realizes the danger and fears for the unsuspecting victims. ![]() Some have argued that this subjective camera use is one of John Carpenter’s more arguable choices since it makes the viewers active partakers in the violence depicted on the screen (Knöppler, 2017). All this dehumanizes Myers and presents him as rather a shadow of the person, which provides a spine-chilling effect (Knöppler, 2017).Īnother way to emotionally affect the audience is to adopt the camera to Michael’s point of view. His body language is almost absent and he rarely makes a sound even his accessory is a mask with no expression. The music adds to it – non-diegetic sounds indicating danger accompany Michael’s appearances on the screen. The first half of the movie only features him in long shots or extreme close ups, escalating tension. One example, according to Knöppler (2017), would be the audiovisual presentation of Michael Myers. Catharsis, which is a crucial element of horror, occurs at the very end – and one is masterfully led up to it (The Psychology of Fear). Since the plot of the movies of the killer genre revolves around the murderer, it is only fair that the way his presence and actions are depicted is what makes the story horrifying. This perfectly fits the description of the antagonist, Michael Myers, who stalks teenage girls throughout the entire narrative in hopes to kill them. Halloween is a classic example of the killer genre, which, consequently, features a killer – a human being or a supernatural creature – who, for some reason, hunts people. The film ends with Myers’s heavy breathing – it is implied he has survived.įrom the description it becomes evident which genre of horror this movie belongs to. Loomis arrives to the rescue and shoots Michael, but the body vanishes. On Halloween night, Myers kills Annie and Lynda, and attacks Laurie. There, Myers, wearing a white mask, stalks female high-schoolers Laurie, Annie, and Lynda. Loomis, decides to track him down, knowing what danger he possesses. On October 30 th, Michael escapes and drives back to his hometown, while his psychotherapist, Dr. Michael Myers, a young man, who killed his sister, has remained in a psychiatric hospital for the past fifteen years. ![]() Knöppler (2017) lays it out as follows: the year is 1978. In order to identify which genre of horror Halloween belongs to, one needs to turn to an overview of the plot. Learn More Halloween as a Classic Example of the Killer Genre Summary and Genre Classification
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